Creencias sobre series de ficción televisiva: el caso de Velvet

  1. Etayo Pérez, Cristina 1
  1. 1 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Journal:
Doxa Comunicación: revista interdisciplinar de estudios de comunicación y ciencias sociales

ISSN: 1696-019X

Year of publication: 2015

Issue: 20

Pages: 89-118

Type: Article

DOI: 10.31921/DOXACOM.N20A4 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

More publications in: Doxa Comunicación: revista interdisciplinar de estudios de comunicación y ciencias sociales

Sustainable development goals

Abstract

Television series are an attractive genre of fiction programming not only for viewers but also for the channels that broadcast them. Given that production costs are high, such series need to draw high audience ratings from the start. Significant research has been carried out on the factors that condition the success of films released in movie theaters, but very little study has addressed the issues in relation to television series. The purpose of this paper is to explore viewer impressions of a range of objective factors relating to the series "Velvet", broadcast by Antena 3. Since such impressions may shape overall viewer attitude to the series, an in-depth analysis of a set of factors (sociodemographic factors, as well as matters of personal taste or interest) has been carried out to see whether different assessments of the series are influenced by such variables (sex, age, television consumption habits and preferences for different genres). The results suggest that viewer impressions of Velvet are affected by the factors cited above.

Funding information

Bibliographic References

  • Cohen, J. (2001): “Defining identification: a theoretical look at the identification of audiences with media characters”, Mass Communication and Society, vol. 4 (3), pp. 245-264
  • De Wied, M., Zillmann, D. y Ordman, v. (1994): “The rol of empathic distress in the enjoyment of cinematic tragedy”, Poetics, vol. 23, pp. 91-106
  • Fishbein, M. y Ajzen, I. (1975): Attitude, intention and behaviour: An introduction to theory and research. Reading, Massachusett: Addison-Wesley
  • García de Castro, M. (2002): “La ficción televisiva popular. Una evolución de las series de televisión españolas. Barcelona, Gedisa
  • García de Castro, M. (2002): “Los movimientos de renovación en las series televisivas españolas”, Comunicar, n. 30, pp. 147-153
  • Igartua, J. J. y Múñiz, C. (2008): Identificación con los personajes y disfrute ante largometrajes de ficción. Una investigación empírica”. Comunicación y Sociedad, vol. 21 (1), pp. 25-52
  • Igartua, J. J. y Páez, D. (1997): “Art of remembering traumatic collectiv events; the case of Spanish Civil War”, en Pennebaker, J., Páez, D. y Rimé, B. (eds.): Collective memory of political event. Social psychological perspectives. Lawrence Erlbaum Associates, pp. 79-101
  • Igartua, J. J. y Páez, D. (1997): “El cine sobre la Guerra Civil Española. Una investigación sobre su impacto en creencias y actitudes”, Boletín de Psicología, vol. 57, pp. 7-39
  • Igartua, J. J. y Páez, D. (1998): “Fiabilidad y validez de una escala de empatía e identificación con los personajes”, Psicothema, vol. 10 (2), pp. 315-342
  • Kantar Media (2013): Anuario de audiencia de televisión 2013
  • Larsen, S. F., Laszlo, J. (1990): “Cultural-historical Knowledge and personal experience in appreciation of literatura”, European Journal of Social Psychology, vol. 20, pp. 425-440
  • Oliver, M. B. (1993): “Exploring the paradox of the enjoyment of sad films”, Human Communication Research, vol. 19 (3), pp. 315-342
  • Oliver, M. B. (2003): “Mood management and selective exposure”, en Bryant, J., Roskos-Ewolsen, D. y Cantor, J. (eds.): Communication and emotion. Essays in honor of Dolf Zillman. Lawrence Erlbaum Associates, pp. 85-106
  • Packer, M. (1989): “Dissolving the paradox of tragedy”, The Journal of Aesthetics and Art Criticism, vol. 47 (3), pp. 211-219
  • Petty, R.E., Cacioppo, J.T. (1981): Attitudes and persuasión: Classic and contemporary approaches. Dubuque, Iowa: Wm. C. Brown.
  • Vorderer, P., Klimmt, C. y Ritterfeld U. (2004): “Enjoyment, at the heart of media enterteinment”, Communication Theory, vol. 14 (4), pp. 388-408