Towards a narrative definition of the American political thriller film

  1. Castrillo, Pablo
  2. Echart, Pablo
Revista:
Comunicación y sociedad = Communication & Society

ISSN: 2386-7876

Año de publicación: 2015

Volumen: 28

Número: 4

Páginas: 109-123

Tipo: Artículo

DOI: 10.15581/003.28.4.109-123 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Comunicación y sociedad = Communication & Society

Referencias bibliográficas

  • Anderson, P. (2007). The triumph of the thriller: how cops, crooks, and cannibals captured popular fiction. New York: Random House.
  • Azcona, M. (2010). The Multi-Protagonist Film. New York: Wiley-Blackwell.
  • Bordwell, D., Thompson K. (2010). Film Art: An Introduction. New York: McGraw-Hill.
  • Casper, D. (2007). Postwar Hollywood 1946-1962. Malden, MA: Blackwell.
  • Casper, D. (2011). Hollywood film 1963-1976: years of revolution and reaction. Chichester, West Sussex; Malden, MA: Wiley-Blackwell.
  • Christensen, T. and Haas, P.J. (2005). Projecting Politics: Political Messages in American Film. Armonk, NY: M.E. Sharpe.
  • Cobley, P. (2000). The American Thriller: Generic innovation and social change in the 1970s. New York: Palgrave.
  • Coyne, M. (2008). Hollywood Goes To Washington: American Politics on Screen. London: Reaktion Books.
  • Derry, C. (1998). The Suspense Thriller: films in the shadow of Alfred Hitchcock. Jefferson, NC: McFarland.
  • Duncan, S.V. (2008). Genre Screenwriting: How to Write Popular Screenplays That Sell. Bloomsbury Academic.
  • Fenster, M. (2008). Conspiracy theories: secrecy and power in American culture. Minneapolis: University of Minnesota Press.
  • Furedi, F. (1997). Culture of Fear: Risk-taking and the Morality of Low Expectation. London: Cassell.
  • Gianos, P.L. (1998). Politics and politicians in American film. Westport, Conn.: Praeger.
  • Giglio, E. (2010). Here's Looking At You: Hollywood, Film & Politics. NY: Peter Lang.
  • Gow, G. (1968). Suspense and the Cinema. London, Zwemmer; New York, Barnes.
  • Harper, R. (1974). The World of the Thriller. Baltimore, Maryland; London: Johns Hopkins University Press.
  • Hennebelle, G. (1978). Z Movies or What Hath Costa-Gavras Wrought? Cinéaste 6(2), 28-31.
  • Hill, J., Church Gibson, P. (2000). The Political Thriller Debate in Film Studies: Critical Approaches. NY: Oxford University Press.
  • Kellner, D. (2010). Cinema Wars: Hollywood Films and Politics in the Bush-Cheney Era. Malden, MA: Wiley-Blackwell.
  • Löker, A. (2005). Film and Suspense, Victoria, B.C.: Trafford.
  • Marcus, G. (2992). The Manchurian Candidate. London: BFI Publishing.
  • Mesce, B. Jr. (2007). Overkill: The Rise and Fall of Thriller Cinema. Jefferson, NC: McFarland.
  • Palmer, J. (1978). Thrillers: genesis and structure of a popular genre. London: Edward Arnold.
  • Pollard, T. (2009). "Hollywood 9/11: Time of Crisis," in M.J. Morgan (Ed.), The impact of 9/11 on the media, arts, and entertainment: the day that changed everything? n.p.: Palgrave Macmillan.
  • Rubin, M. (1999). Thrillers. Cambridge: Cambridge University Press.
  • Russin, R., Downs, W.M. (2000). Screenplay: Writing The Picture, Harcourt College Publishers.
  • Ryan, M., Kellner, D. (1988). Camera Politica: the Politics and Ideology of Contemporary Hollywood Film, Bloomington, IN: Indiana University Press
  • Schrader, P. (1972). Notes On Film Noir. Film Comment 8(1), 8-13.
  • Scott, I. (2011). American Politics in Hollywood Film. Edinburgh: Edinburgh University Press.
  • Selbo, J. (2015). Film Genre For The Screenwriter. New York; London: Routledge.