Exposiciones ambulantes:campañas propagandísticas estadounidenses en Europa (1949-1959).

  1. Héctor García-Diego Villarías 1
  2. Rubén A. Alcolea Rodríguez 1
  1. 1 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Revista:
Constelaciones: Revista de arquitectura de la Universidad CEU San Pablo=Architecture magazine of the CEU San Pablo University

ISSN: 2340-177X

Año de publicación: 2019

Número: 7

Páginas: 155-169

Tipo: Artículo

DOI: 10.31921/CONSTELACIONES.N7A10 DIALNET GOOGLE SCHOLAR

Otras publicaciones en: Constelaciones: Revista de arquitectura de la Universidad CEU San Pablo=Architecture magazine of the CEU San Pablo University

Resumen

In a Europe that became a territory of ideological dispute in the fifties, propaganda campaigns would play a decisive role. The well-known American economic relief plan —The Marshall Plan— would also launch an ambitious program of exposition. Given the general devastation conditions of the Old Continent, the model of itinerant exhibition, in which continent and content are moved together from one place to another, emerged as a propaganda system of enormous efficiency and greater capacity for impact. A practice that had been rehearsed before in the American country itself, but that would be developed with superior intensity by Peter G. Harnden, the main actor and designer of these propaganda campaigns. The text that follows tries to describe the episode, in order to shed its particularities because, and as the article concludes, some of the features that define the phenomenon will accompany some of the most notable practices of the discipline throughout the subsequent decade.