Dibujo y control. El trabajo de Javier Carvajal para Loewe

  1. Antón Sancho, Javier 1
  2. González Presencio, Mariano 1
  1. 1 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Revue:
EGA: revista de expresión gráfica arquitectónica

ISSN: 1133-6137 2254-6103

Année de publication: 2019

Titre de la publication: Conversando con… William J.R. Curtis

Volumen: 24

Número: 37

Pages: 48-61

Type: Article

DOI: 10.4995/EGA.2019.10584 DIALNET GOOGLE SCHOLAR lock_openAccès ouvert editor

D'autres publications dans: EGA: revista de expresión gráfica arquitectónica

Résumé

In 1959 the renowned luxury firm Loewe decided to transform and renew its image and chose architect Javier Carvajal to accomplish the task. In facing the design of these stores, he found that the strategic equipment he had developed in the projects he had done until that moment, was here totally useless. Nonetheless, the architect dealt with the commission in a thorough definition process, with the same resolve of formal control he used in previous ones. Beyond the general plans of the stores, the interiors, furniture and details were drawn by his own hand, 1 to 1 scale most of the times. Constructive relations between elements and materials were established with total precision. Each and every joint, detail, attachment and screw was gathered up in a set of uncompromising drawings, pure graphic orders that composed a sort of virtual construction, born to avoid any error range.

Références bibliographiques

  • AA.VV. Revista Forma, Loewe n. 0, 1963.
  • CAMPO BAEZA, A., "La belleza cincelada (Javier Carvajal)" en Arquitectos, nº 120, 1991, pp. 7-9. ISSN 0214-1124.
  • FULLAONDO, Juan Daniel y MUÑOZ, María Teresa, Historia de la Arquitectura Contemporánea Española. Tomo III. Y Orfeo desciende, Molly Editorial, I.S.B.N.: 84-922708-0-2, Madrid 1997.
  • CARVAJAL, Javier, "Instalación y decoración de una tienda", Arquitectura, Revista del Colegio de Arquitectos de Madrid (COAM) n. 16. Madrid 1960, 32-36.