Interference Patterns. Optical vs Tactile Experiments of Spatial Inmersion, from Psychogeography to Holograms
- Antón, Javier 1
- Lauter, Max 2
- Reina, Teresa
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1
Universidad de Navarra
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2
Columbia University
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ISSN: 1130-4715
Año de publicación: 2021
Título del ejemplar: El objeto desbordante. Espacios inmersivos y estrategias multisensoriales en el arte
Número: 9
Páginas: 211-236
Tipo: Artículo
Otras publicaciones en: Espacio, tiempo y forma. Serie VII, Historia del arte
Objetivos de desarrollo sostenible
Resumen
El ímpetu de este proyecto es obtener una perspectiva histórica de algunas teorías filosóficas conflictivas sobre la percepción y representación del espacio, y rastrear un método démodé de representación, que ha permanecido en uso en algunos contextos. La investigación se centra en la tensión entre dos experiencias sensoriales: la táctil y la óptica. Es un entretejido de narrativas críticas para examinar los modos de percibir el espacio en el contexto de unas prácticas artísticas y arquitectónicas. Partiendo del entendimiento más óptico del espacio y materializado en algunos ejemplos como el «Proun Room» de El Lissitzky, «The Void» de Yves Klein y la visualidad tectónica de Lebbeus Woods como punto de partida; este artículo se centra en las teorías de percepción espacial más táctil de los ‘Situacionistas’ y ‘Surrealistas’, con sus técnicas de mapeo dérivé, su historia/memoria mediada del espacio urbano y su enfoque del capitalismo y los sistemas de control. Todo ello se interpreta por último a través de la lente de la práctica óptica de la holografía, y su éxito (y fracaso) como herramienta y formato de representación.
Información de financiación
By the mid 1980‘s the production of holograms was funded primarily by the defense industry81, supporting the creation of Heads-Up-Display (HUD‘s) and Holographic Optical Elements (HOE‘s). HUD‘s are found in cockpits, providing a view of instruments in direct view of the window, and HOE‘s are found on credit cards and supermarket scanners (353). Zebra Imaging82, a holographic manufacturer founded in 1996, primarily produced until 2017 images for military, architectural, and retail/entertainment applications. Taking CAD drawings or other digital formats, they created 4-dimensional projections of axonometric renderings. Founded by a team of MIT researchers with corporate and government entrepreneurs, they had been praised as developing an ’emerging ‘technology and saving lives. ZebraFinanciadores
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