Los Tàpies del Museo Universidad de Navarrael estilo como frontera entre lo internacional y lo identitario

  1. Nieves Acedo 1
  1. 1 Museo Universidad de Navarra
Journal:
Príncipe de Viana

ISSN: 0032-8472

Year of publication: 2018

Issue Title: Viejos y nuevos espacios de frontera

Year: 79

Issue: 272

Pages: 1307-1322

Type: Article

More publications in: Príncipe de Viana

Abstract

The donation of Maria Josefa Huarte’s art collection, and the subsequent opening of the University of Navarra Museum to the public, implies the increasing of Navarre cultural heritage as well as the continuous accessibility for the public of a room in the Museum devoted to the Catalonian painter Antoni Tàpies. This paper addresses the new possibilities of investigation, interpretation and reception that derive from this fact, from the type of collecting and the historical context that propitiated the works to be gathered and exhibited in Pamplona, to the prevalence of plastic values above ideological or political ones that the disposition of the works and the new publics put at stake.