Old Wine in New Bottles. Narrative complexity in the dawn of Netflix Originals (2013-2017)

  1. José Antonio Planes 1
  2. Alberto N. García 2
  1. 1 Universidad de Medellín
    info

    Universidad de Medellín

    Medellín, Colombia

    ROR https://ror.org/030kw0b65

  2. 2 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Revista:
Comunicación y sociedad = Communication & Society

ISSN: 2386-7876

Año de publicación: 2024

Volumen: 37

Número: 1

Páginas: 1-19

Tipo: Artículo

DOI: 10.15581/003.37.1.1-19 WoS: WOS:001146304700011 DIALNET GOOGLE SCHOLAR lock_openAcceso abierto editor

Otras publicaciones en: Comunicación y sociedad = Communication & Society

Resumen

This article explores how the first five years of Netflix Originals dramatic storytelling fit the “Complex TV” label that Mittell defined, with its innovative season-drop delivery strategy. We focus on one narratological device: the delimited flashback, the predominant type of analepsis in the 33 pilot episodes that made up our sample. Although the delimited flashbacks analyzed are semantically diverse, the discussion combines quantitative data with a qualitative analysis focusing on three key elements: the objects and places that trigger the characters’ memories, the contradictory or parallel relationship between timeframes, and the violation of boundaries between narrative layers.

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Fuente de los datos: Dialnet