Eclecticismo en el imaginario de «A un poeta muerto (F.G.L.)» de Cernuda

  1. Gabriel Insausti 1
  1. 1 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Aldizkaria:
Bulletin hispanique

ISSN: 0007-4640

Argitalpen urtea: 2024

Zenbakien izenburua: Auógrafos teatrales áureos: patrimonio y creación literaria/ Théâtre autographe du Siècle d'Or: patrimoine et création littéraire

Alea: 126

Zenbakia: 1

Orrialdeak: 279-296

Mota: Artikulua

DOI: 10.4000/11XYO DIALNET GOOGLE SCHOLAR

Beste argitalpen batzuk: Bulletin hispanique

Laburpena

Beneath the neo-pagan and classicist echoes deriving from pastoral tradition, “A un poeta muerto (F. G. L.)” shows some elements of intertextuality that point at Judeo-Christianity and characterize this elegy as some sort of pseudo-Christic tragedy that draws on romantic sources. When viewed in its context, with its eclectic imagery this poem would thus stand as an unorthodox declaration in the Valencia of 1937 and would pave the path for the poet’s transition from his Hölderlin-like hellenism in Invocaciones (1935) towards his poetry of exile.

Datuen iturria: Dialnet