Una comparación de las teorías del cine documental de Bill Nichols y Carl Plantinga: fundamentos, definiciones y categorizaciones
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Universidad de Navarra
info
ISSN: 1852-4699
Year of publication: 2015
Volume: 11
Pages: 29 - 51
Type: Article
More publications in: Cine Documental
Abstract
The present article aims to compare the most relevant aspects of Bill Nichols and Carl Plantinga’s documentary theories fostering an understanding of the basis on which each author builds his own approach. The article will explore the concept of “non-fiction” in both authors, the definitions of documentary they propose and the way in which Nichols and Plantinga provide different models for categorizing documentary films.