No one came from OutsideA critique of the abject-Lovecraftian foundations of dark ecology

  1. León Casero, Jorge 1
  2. Urabayen, Julia 2
  1. 1 Universidad de Zaragoza
    info

    Universidad de Zaragoza

    Zaragoza, España

    ROR https://ror.org/012a91z28

  2. 2 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Revue:
Ilha do desterro: a journal of language and literature = revista de língua e literatura

ISSN: 0101-4846 2175-8026

Année de publication: 2023

Titre de la publication: (Re)creating possible futures or alternative presents through the arts

Volumen: 76

Número: 2

Type: Article

DOI: 10.5007/2175-8026.2023.E92273 DIALNET GOOGLE SCHOLAR lock_openAccès ouvert editor

D'autres publications dans: Ilha do desterro: a journal of language and literature = revista de língua e literatura

Résumé

In recent decades, philosophical reflection on the utopian has focused on the analysis of the way in which the future-possible and the radically unknown or “other” influence our present. Specifically, accelerationism and Object-oriented Ontology have identified horror and weird fiction in general, and H. P. Lovecraft in particular, as the privileged field from which to access a radically anti-humanist absolute exteriority (Outside) with the aim of developing a new anti-species worldview, one which Timothy Morton calls “Dark Ecology.” This article analyzes the philosophical foundations of this worldview, showing the exclusive and proto-fascist character it harbors, which is why it should be clearly separated from other post-humanisms and/or new materialisms based on the hybridization and interconnection characteristic of relational ontologies.

Références bibliographiques

  • Ablett, Sarah. “Approaching abjection in Sarah Kane’s blasted.” Performance Research, vol. 19, no. 1, 2014, pp. 63–71. https://doi.org/10.1080/13528165.2014.908085.
  • Atack, Margaret. “Abjection, Derision and Power: Writing in the Voice of the Victim in Three French Post-War Texts.” Law, Culture and the Humanities, vol. 18, no. 3, 2022, pp. 557–575. https://doi.org/10.1177/1743872119879346.
  • Berardi, Franco B. The Second Coming. Polity Press, 2019.
  • Brassier, Ray. Nihil Unbound: Enlightenment and Extinction. Palgrave Macmillan, 2007.
  • Bryant, Courtney. “Incarnational Power: The Queering of the Flesh and Redemption in Lovecraft Country.” Black Theology, vol. 19, no. 3, 2021, pp. 207–217. https://doi.org/10.1080/14769948.2021.1990497
  • Castro-Gómez, Santiago. “Decolonizar la Universidad. La hybris del punto cero y el diálogo de saberes.” El giro decolonial: Reflexiones para una diversidad epistémica más allá del capitalismo global, edited by Ramón Grosfoguel, and Santiago Castro Gómez, Siglo del hombre, 2007, pp. 79–90.
  • CCRU. Writings 1997-2003. Time Spiral Press, 2015.
  • CCRU. Hiperstition. Segovia: Materia Oscura, 2021.
  • Culp, Andrew. Dark Deleuze. U of Minnesota P, 2016.
  • Deleuze, Gilles. Difference and repetition. Columbia UP, 1995.
  • Deleuze, Gilles, and Félix Guattari. A thousand plateaus capitalism and schizophrenia. U of Minnesota P, 1987.
  • Fisher, Mark. The Weird and the Eeire. Repeater, 2016.
  • Guy, Jean-Sébastien. “Durkheim meets Cthulhu: the impure sacred in H. P. Lovecraft.” Journal for Cultural Research, vol. 24, no. 4, 2020, pp. 286–300. https://doi.org/10.1080/14797585.2020.1835443
  • Haraway, Donna. The Haraway Reader. Routledge, 2004.
  • Haraway, Donna. Staying with the trouble. Making Kin in the Chthulucene. London: Duke UP, 2016.
  • Haraway, Donna. How like a Leaf. An Interview with Thyrza Nichols Goodeve. New York Routledge, 2000.
  • Harman, Graham. Prince of Networks: Bruno Latour and Metaphysics. re-press, 2009.
  • Harman, Graham. Weird Realism: Lovecraft and Philosophy. Zero Books, 2012.
  • Harman, Graham. Object-Oriented Ontology: A New Theory of Everything. Penguin, 2017.
  • Houellebecq, Michael. H. P. Lovecraft: Contre le monde. Contre la vie. Éditions du Rocher, 1999.
  • Igrek, Apple Z. “Inanimate speech from Lovecraft to Žižek.” Comparative Literature and Culture, vol. 13, no. 4, 2011, pp. 1–9. https://doi.org/10.7771/1481-4374.1781.
  • Janik, Mateusz. “The fear of monism: Monstrosity, parapolitics, and early modern sources of the comparative philosophy.” Praktyka Teoretyczna, vol. 37, no. 3, 2020, pp. 45–78. https://doi.org/10.14746/prt2020.3.3.
  • Kristeva, Julia. Powers of horror. An essay on abjection. Columbia UP, 1982.
  • Land, Nick. The thirst for annihilation. Georges Bataille and virulent nihilism.Routledge, 2005.
  • Land, Nick. Phyl-Undhu. Abstract Horror. Extreminator. Time Spiral Press, 2014.
  • Land, Nick. La Ilustración Oscura. Y otros ensayos sobre la Neorreacción. Materia Oscura, 2022.
  • Latour, Bruno. Politics of Nature: How to Bring the Sciences into Democracy. UP, 2004.
  • Mayer, Jed. “The weird ecologies of Mary Shelley’s Frankenstein.” Science-Fiction Studies, vol. 45, no. 2, 2018, pp. 229–243. https://doi.org/10.5621/sciefictstud.45.2.0229.
  • Moreland, Sean, editor. New Directions in Supernatural Horror Literature: The Critical Influence of H. P. Lovecraft. Springer, 2018. https://doi.org/10.1007/978-3-319-95477-6.
  • Morton, Timothy. Being Ecological. The MIT Press, 2018.
  • Morton, Timothy. Dark Ecology. For a Logic of future coexistence. Columbia UP, 2016.
  • Morton, Timothy. Realist Magic: Objects, Ontology, Causality. Open UP, 2013.
  • Negarestani, Reza. “The labor of the inhuman.” Accelerate: The Accelerationist Reader, edited by Robin Mackay and Armen Avanessian. Urbanomic, 2014, pp. 425–466.
  • Negarestani, Reza. “Globe of Revolution: An Afterthought on Geophilosophical Realism.” Journal for Politics, Gender and Culture, vol. 8, no. 2, 2011, pp. 25–54. https://doi.org/10.51151/identities.v8i2.263.
  • Negarestani, Reza. Cyclonopedia: Complicity with Anonymous Materials. Re-press, 2008.
  • Poller, Jake. “New Weird Fiction and the Oneirologic of Both-And.” Textual Practice, 2022. https://doi.org/10.1080/0950236X.2022.2111701.
  • Possamaï, Adam. “Cultural Consumption of History and Popular Culture in Alternative Spiritualities.” Journal of Consumer Culture, vol. 2, no. 2, 2002, pp. 197–218. https://doi.org/10.1177/146954050200200203
  • Ray, Dibyakusum. “The True-weird and the Dreadful ‘Large:’ Post Millennium American Horror Literature.” Palgrave Communications, vol. 3, no. 1, 2017, n. 17080, pp. 1–6. https://doi.org/10.1057/palcomms.2017.80.
  • Ricoeur, Paul. Time and Narrative III. Chicago/London: University of Chicago Press, 1988.
  • Ringel, Faye. “I Am Providence: H. P. Lovecraft.” A Companion to American Gothic, edited by Charles L. Crow. The U of Chicago P, 2013, pp. 267–278. https://doi.org/10.1002/9781118608395.ch21.
  • Sciscione, Anthony. “Symtomatic Horror: Lovecraft’s The Colour Out of Space.” Leper Creativity. Cyclonopedia Symposium, Punctum Books, 2012, pp. 131–146.
  • St John, Graham. “The DMT Gland: The Pineal, the Spirit Molecule, and Popular Culture.” International Journal for the Study of New Religions, vol. 7, no. 2, 2016, pp. 153–174. https://doi.org/10.1558/ijsnr.v7i2.31949.
  • Thacker, Eugene. Cosmic Pessimism. Univocal Publishing, 2015a.
  • Thacker, Eugene. Tentacles longer than night. Horror of Philosophy vol. 3. Winchester: Zero Books, 2015b.
  • Thacker, Eugene. In the Dust of this Planet. Horror of Philosophy vol. 1. Winchester: Zero Books, 2011.
  • Weinreich, Spencer J. “The book in the house: The Regnum Congo and H. P. Lovecraft’s ‘The Picture in the House.’” Gothic Studies, vol. 20, no. 1, 2018, pp. 59–76. https://doi.org/10.7227/GS.0035.
  • Wenaus, Andrew. “Rhizomatic Horror: Eclipsed Narrative and Experimental Weird Fiction in Steve Beard’s Digital Leatherette.” Extrapolation, vol. 53, no. 1, 2012, pp. 1–23. https://doi.org/10.3828/extr.2012.2.
  • Wilke, Heinrich. “Character and Perspective in Cosmic Horror: Lovecraft and Kiernan.” Zeitschrift fur Anglistik und Amerikanistik, vol. 69, no. 2, 2020, pp. 173–190. https://doi.org/10.1515/zaa-2021-2038.
  • Wynter, Sylvia. “Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation: An Argument.” The New Centennial Review, vol 3, no. 3, 2003, pp. 257–337. https://doi.org/10.1353/ncr.2004.0015.
  • Wöll, Steffen. “The Horrors of the Oriental Space and Language in H. P. Lovecraft’s ‘The Shadow over Innsmouth.’” Zeitschrift fur Anglistik und Amerikanistik, vol. 68, no. 3,2020, pp. 233–249. https://doi.org/10.1515/zaa-2020-2002.
  • Woodard, Ben. “Mad Speculation and Absolute Inhumanism: Lovecraft, Ligotti, and the Weirding of Philosophy.” Continent, vol. 1 no. 1, 2011, pp. 3-13. https://philpapers.org/rec/WOOMSA-2
  • Žižek, Slavoj, et al. The Neighbor. Three Inquiries in Political Theology. The U of Chicago P, 2005.