Los lenguajes de la historiaentre el análisis y la narración

Referencias bibliográficas

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• Jean-Francçois LYOTARD, La condition postmoderne, París, Minuit, 1979
• Jaume AURELL, Authoring the Past. History, Autobiography, and Politics in Medieval Catalonia, Chicago, The University of Chicago Press, 2012
• y J. AURELL, “Autobiography as Unconventional History: Constructing the Author”, Rethinking History: Journal of Theory and Practice, 10, 2006, pp. 433-449
• Quentin SKINNER, “Motives, Intentions, and the Interpretation of the Texts,” New Literary History 3 (1972), pp. 393-408
• Anthony SAVILE, “The Place of Intention in the Concept of Art,” in Harold OSBORNE, ed., Aesthetics, Oxford, Oxford University Press, 1972, pp. 158-176
• Stein Hangom OLSEN, “Authorial Intention,” British Journal of Aesthetics 13, 1973, pp. 219-231
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• Hayden V. WHITE, The Content of the Form: Narrative Discourse and Historical Representation, Baltimore, Johns Hopkins University Press, 1989
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• Erich AUERBACH, Mimesis: la representación de la realidad en la literatura occidental, México, Fondo de Cultura Económica, 1950
• Ernst BREISACH, On the Future of History. The Postmodernist Challenge and Its Aftermath, Chicago, The University of Chicago Press, 2003
• Sagrada Biblia. Antiguo Testamento. Libros Históricos. Traducción y Notas, Pamplona, Eunsa, 1999
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• Nancy F. PARTNER, Serious Entertainments. The Writing of History in TwelfthCentury England, Chicago, University of Chicago Press, 1977
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• James AMELANG, The Flight of Icarus. Artisan Autobiography in Early Modern Europe, Stanford, Standford University Press, 1998
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• William H. SEWELL, jr., “The Political Unconscious of Social and Cultural History, or, Confessions of a Former Quantitative Historian”, en Logics of History, Chicago, The University of Chicago Press, Chicago, 2005, pp. 22-80
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• Natalie Z. DAVIS, A Life of Learning, New York, American Council of Learned Societies, ACLS Occasional Paper 39, 1997
• Geoff, ELEY, A Crooked Line: From Cultural History to the History of Society, Ann Arbor, University of Michigan Press, 2005
• Michel VOVELLE, Idéologies et mentalités, París, Maspero, 1982
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• Patrick GARDINER, ed., Theories of History, Londres, 1959
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• F.R. ATKINSON, Knowledge and Explanation in History, Londres, Macmillan, 1978
• Philippe CARRARD, Poetics of the New History. French Historical Discourse form Braudel to Chartier, Baltimore, Johns Hopkins University Press, 1992
• Paolo VALESIO, The Practice of Literary Semiotics: a Theoretical Proposal, Urbino, Universita di Urbino, 1978
• Ernst BREISACH, On the Future of History, Chicago, University of Chicago Press, 2003
• Michel de CERTEAU, L’écriture de l’histoire, París, Gallimard, 1975; Paul RICOEUR, Temps et récit, París, Seuil, 1983-1985, 3 vols
• Hans G. GADAMER, Le problème de la conscience historique, Paris, Seuil, 1996
• Hayden WHITE, “The Burden of History”, History and Theory, 2, 1966, pp. 111-134
• Thomas S. KUHN, The Structure of Scientific Revolutions, Chicago, The University of Chicago Press, 1970
• Carlo GINZBURG, El queso y los gusanos: el cosmos, según un molinero del siglo XVI, Barcelona, Península, 2001
• Carlo GINZBURG, “Microstoria: due o tre cose che so di lei”, Quaderni Storici, 86, 1994, pp. 511-539
• Justo SERNA y Anaclet PONS, Cómo se escribe la microhistoria. Ensayo sobre Carlo Ginzburg, Madrid, Cátedra, 2000
• Antonio Machado, Poesías Completas, “Proverbios y cantares”, Madrid, Espasa-Calpe, 1971
• Jaume AURELL, “El Nuevo Medievalismo y la interpretación de los textos históricos”, Hispania. Revista Española de Historia, LXVI, 2006, pp. 809-832
• Stephen GREENBLATT, Renaissance Self-Fashioning: From More to Shakespeare, Chicago, University of Chicago Press, 1980
• Catherine GALLAGH y Stephen GREENBLATT, Practicing New Historicism, Chicago, University of Chicago Press, 2000
• Lee PATTERSON, “Introduction: Critical Historicism and Medieval Studies,” en Lee PATTERSON, ed., Literary Practice and Social Change in Britain, 1380-1530 Berkeley, University of California Press, 1990, pp. 1-14
• Brook Thomas, The New Historicism and Other Old-Fashioned Topics, Princeton, Princeton University Press, 1991
• ; H. Aram VEESER, ed., The New Historicism Reader, New York, Routledge, 1994
• Paul FREEDMAN y Gabrielle M. SPIEGEL, “Medievalisms Old and New: The Rediscovery of Alterity in North American Medieval Studies,” American Historical Review, 103, 1998, pp. 677-704
• Marina S. BROWNLEE, Kevin BROWNLEE, Stephen G. NICHOLS, ed., The New Medievalism, ed., Baltimore, Johns Hopkins University Press, 1991; Richard UTZ and Tom SHIPPEY, eds., Medievalism in the Modern World, Turnhout, Brepols, 1998
• Natalie Z. DAVIS, El regreso de Martin Guerre, Barcelona, Bosch, 1982