Incarnation: Confronting Jean-Luc Nancy's atheology and Hans Urs von Balthasar's theology

  1. Montserrat Herrero 1
  1. 1 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Revista:
Giornale di Metafisica: revista bimestrale di filosofia
  1. Caldarone, Rosaria (coord.)
  2. Lupo, Rosa Maria (coord.)

ISSN: 0017-0372

Any de publicació: 2015

Títol de l'exemplar: L'Annuncio

Volum: 37

Número: 2

Pàgines: 405-416

Tipus: Article

Altres publicacions en: Giornale di Metafisica: revista bimestrale di filosofia

Resum

Nancy’s intuition is that the portrait is the archetypical status of every painting, that is, of an incarnation accompanied by an announcement. This article aims to clarify the a-theology of the incarnation that Nancy employs to explain the art of painting, by employing the theological aesthetic of incarnation developed by von Balthasar. To achieve that aim, the article intersects the book of collected essays, The Ground of the Image by Nancy, with the first volume of Balthasar’s theological aesthetics, The Glory of the Lord.