Incarnation: Confronting Jean-Luc Nancy's atheology and Hans Urs von Balthasar's theology

  1. Montserrat Herrero 1
  1. 1 Universidad de Navarra
    info

    Universidad de Navarra

    Pamplona, España

    ROR https://ror.org/02rxc7m23

Revue:
Giornale di Metafisica: revista bimestrale di filosofia
  1. Caldarone, Rosaria (coord.)
  2. Lupo, Rosa Maria (coord.)

ISSN: 0017-0372

Année de publication: 2015

Titre de la publication: L'Annuncio

Volumen: 37

Número: 2

Pages: 405-416

Type: Article

D'autres publications dans: Giornale di Metafisica: revista bimestrale di filosofia

Résumé

Nancy’s intuition is that the portrait is the archetypical status of every painting, that is, of an incarnation accompanied by an announcement. This article aims to clarify the a-theology of the incarnation that Nancy employs to explain the art of painting, by employing the theological aesthetic of incarnation developed by von Balthasar. To achieve that aim, the article intersects the book of collected essays, The Ground of the Image by Nancy, with the first volume of Balthasar’s theological aesthetics, The Glory of the Lord.