La conciencia del espectador en la teoría musical de Schopenhauer

  1. Labrada, María Antonia
Revista:
Anuario filosófico

ISSN: 0066-5215

Any de publicació: 1996

Volum: 29

Número: 54

Pàgines: 89-106

Tipus: Article

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Altres publicacions en: Anuario filosófico

Resum

The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.

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