La conciencia del espectador en la teoría musical de Schopenhauer
ISSN: 0066-5215
Année de publication: 1996
Volumen: 29
Número: 54
Pages: 89-106
Type: Article
D'autres publications dans: Anuario filosófico
Résumé
The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.