La conciencia del espectador en la teoría musical de Schopenhauer

  1. Labrada, María Antonia
Aldizkaria:
Anuario filosófico

ISSN: 0066-5215

Argitalpen urtea: 1996

Alea: 29

Zenbakia: 54

Orrialdeak: 89-106

Mota: Artikulua

Beste argitalpen batzuk: Anuario filosófico

Laburpena

The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.