La conciencia del espectador en la teoría musical de Schopenhauer
ISSN: 0066-5215
Datum der Publikation: 1996
Ausgabe: 29
Nummer: 54
Seiten: 89-106
Art: Artikel
Andere Publikationen in: Anuario filosófico
Zusammenfassung
The spectator's consciousness in the musical theory of Schopenhauer.- Schopehauer's reflections on music begin from the consciousness of the spectator. This kind of consciousness implies a doubling-back which enables the human soul to perceive itself as something phenomenal. The relationship between the soul and the music comes about within these limits.